4to; 10 leaves; printed title on opaque paper endpapers. One thousand copies were printed. The type was set in Bembo by Monotype at M&H Type in San Francisco, and by hand at the Press. Illustrated with photographs of the Press taken by Brian Shea and printed by duotone offset lithography. This copy a signed but unnumbered Press Copy, sewn by hand in handmade paper covers made at the Twinrocker Handmade Paper Mill. A description of a distinctive approach to the printing of fine books - in a barn - within the relatively remote confines of Covelo, situated in the Round Valley region of California... View More...
Without glassine jacket. ; The edition was limited to 265 numbered copies and 20 presentation copies. Signed by Garth Jeffers on the colophon. This presentation copy is lettered T. [60] pp.; 8vo; flexible boards covered in gray German bookcloth; pasted labels front & spine; designed by James and Carolyn Robertson and set by hand in Frederic Goudy's Californian types, on Rives and Italian Fabriano papers; title page initials and section numerals colored by hand; reproducing 16 photographs from the Jeffers family collection, never before published; and with the addition of a reminiscence of the ... View More...
Copy no. 83 of 125 copies, signed by the artist on the colophon. 48 pp.; 9.6" x 10"; handbound in Italian cloth with decorative endsheets, housed in a handmade slipcase. Four etchings by artist and master printer Jennifer Sturgill. This book, the twenty-ninth issued with this imprint, was designed by and printed for James and Carolyn Robertson at the Yolla Bolly Press in Covelo during the fall of 2001 and spring of 2002. Handset in Walbaum type by apprentice Daniel Urban, the text was printed at the Press by Aaron Johnson who also assisted with the planning of the book. Michael Mills assisted ... View More...
No. 5 of 190 copies bound in sewn paper wrappers. 104 pp.; sm 4to (10" x 7 1/2"). In thin paper board slipcase. Number three in The Storytellers Series. The story of Anne and Mary and their mother, who wandered from California to Aix-en-Provence, and met (or were chosen by) the haughty, cocky, Boss Dog - from the other end of town. The doggiest dog anyone ever saw. View More...
155 copies printed of which sixty (10-69) are offered in a clamshell-style box of archival boards covered in a rough, dark green Japanese cotton, and lined with rag-content papers in gray and blue; issued with a companion volume containing an extensive commentary by Tim Hunt, editor of the Jeffers collected works, in addition to an extra unbound Wikstrom print, signed and suitable for framing. This copy is number 54, signed by Karin Wikstrom on the colophon. Square quarto; book is sewn by hand and bound in boards covered in pigskin suede, in slipcase covered in Japanese cotton. Designed by and... View More...
No. 26 of 200 copies, sewn binding in handmade Philppine paper. 100 pp.; sm 4to; printed beige wrappers in mylar wrappers with translucent photographic image of Laughlin front & back; without slipcase. Printed entirely in letterpress. The celebrated poet & publisher's fictional record of his early years in pre WWII Europe, among the generation of aspiring writers who roamed the continent. View More...
From a total edition of 135, this copy one of 85 copies that were bound in a cover of Japanese cotton over boards and housed in a linen slipcase; of these copies numbered 31-90 were offered for sale; this copy not numbered but reserved for the press and lettered K, signed by Baskin and Fowles on the colophon. 101 pp.; folio; both the Lawrence text and the Fowles commentary are composed in the Bembo types and printed, with the nine Baskin blocks, by letterpress on mould-formed English Somerset paper. Includes prospectus, also The Making of the Book, with photographs of printer Aaron Johnson, bi... View More...
No. 13 of 230 copies. Signed by William Everson and the artist, Vincent Perez, on the colophon. 80 pp.; 8vo; full California Latigo cowhide, stamped bear decoration to front cover; hand-made tan paper endpapers, slipcase. The fourth book in a series, California Writers of the Land. No lions and tigers in these stories, just Bears - oh my!; Signed by Author(s) View More...
200 copies. Five copies lettered A to E were reserved for the press. This is a press copy lettered B on the colophon. 112 pp.; 10" x 7.5"; green wrappers in decorative blue-gray jacket of handmade Indian bagasse paper printed in three colors; set in Goudy's California types, printed on Mohawk Superfine and handmade Moriki papers in multiple colors; binding sewn with linen thread. WITHOUT SLIPCASE. Seven stories from works previously published, but long out of print: The Blue-Winged Teal; Two Rivers; The Sweetness of the Twisted Apples; Impasse; The volunteer; City of the Living; The Traveler. ... View More...
Number 64 edition of 257 copies, signed Karin Wikstrom on the colophon. 169 pp.; 4to; bound in handmade Japanese paper over boards, with burgundy buckram spine and corners. With publisher's printed Announcement / Prospectus in original mailing envelope. The original treatment by Steinbeck for a proposed 1949 film biography. Lost for over thirty years, the manuscript was recovered by The Yolla Bolly Press. Steinbeck's lost book is a stirring account of the life of Emiliano Zapata, the martyred hero of the Mexican Revolution.; Signed by Author(s) View More...
Copy 112 of 170 numbered copies, signed by the artist on the colophon. 196 pp. ; 7" x 10"; text printed entirely by letterpress; bound in German Fabric over archival boards; French endsheet; in slipcase of German paper over archival boards. Illustrated with 14 drawings by artist Vivienne Flesher, several of which are printed in multiple colors by a combination of duotone lithography and letterpress. Vittorini's first novel, written between 1936 and 1937, and first published in the U. S. In 1951 under the title In Sicily. A story about a young man who returns to the mountain village of his yout... View More...
